Going back home soon. I’ll be there only for a couple of days, so I’ll have to choose carefully what to photograph.. St. Mark Square can’t be left out I guess!
This impressive sea stack really looks as a sort of rocky platform rising from the ocean. All those clearly distinct layers of rock and its sharp edges gives it a robotic touch that makes it even more fascinating. I tried a long exposure to make the rock stand out more from the ocean, so to add a tad of surrealism to the scene. Then I played a bit in lightroom with vibrance and saturation slids to soften the colours, living just a touch of green on the top of the stack, so to increase the contrast between its rocky pillar and the grassy surface.
But there are thousands of different ways to photograph this amazing part of the Irish cost. Definitely worth a visit if you are travelling along the Wild Atlantic Way in County Mayo!
How to get there: Just 5 km Nord from the village of Ballycastle, you’ll find an headland called Downpatrick Head, in front of which stands 45 meters high rock: Dun Briste.
It’s a easy 5-10 minute walk from the car park, but the soil can be wet and muddy, therefore sturdy shoes are recommended as well as warm clothes, since it tends to be windy.
GPS: 54.322814, -9.345866
Since I moved to Ireland landscape photography has taken more and more space into my routine, and I love being there in the outdoors with my gear, walking or hiking while looking for some new natural spot. Still, cityscape keeps always a place into my photographic heart! And this year the Custom House in Dublin, finally free from scaffolding ruining its beauty, is just too good an opportunity to let it pass.
What a start today! Not exactly the smoothest possible.. I woke up at 5 am to try and catch the sunrise at Shrove beach, but the door of my hotel was locked and nobody was around to open it. I went back to my room, got out from the window (thank to my girlfriend who helped handling me all my gear!) and jumped a fence to get to the car. Opted to go to the closer Fanad Head. Typical ideal conditions.. splashy waves, wind and rain. I fought the elements for half an hour trying to protect my gear as much as I could, when finally it all started to turn for the better and gorgeous light conditions showed up. Right then my battery ran out of juice! I always have a spare one.. but today (left behind me during the “break out” from the hotel). This is one of the last shot I could get.
Hi fellow photographers!
It has been difficult to find the time to write any posts in the past month; I have preferred to spend most of the spare time doing what I like most, which is travelling all around Ireland, exploring its hidden gems, doing a lot of spot scouting, combining photography with hiking and exploration in general. Yes, because photography can be quite addictive, and curiosity is a powerful driving force to keep us always on the move!
Last week my curiosity brought me to this amazing megalithic monument in the West of Ireland, called Poulnabrone Dolmen, and to move my first steps into the amazing world of night photography. It’s completely new to me but I’m already liking every bit of it!
Location: Poulnabrone Dolmen, County Clare, Ireland.
I still find it simply amazing to think that every day we have two magic moments. I’m talking about the two magic hours which take place daily, around sunrise and sunset.
What gives that magical feel is actually the light. And not only it’s possible to enjoy that magic atmosphere in real life, it’s also possible to capture it with our photography!
But first of all, let’s try to get an idea of what the golden hour is. The golden hour is a short period of time just after sunrise or just before sunset, and it owns its name to the typical golden light which characterizes it. But why is its light so different? Which characteristics have this peculiar light? And when can we see it?
Light is the key element in photography, and our most important natural source of light is the Sun. To allow us see things its light has to travel from the Sun itself to the Earth, passing through the terrestrial atmosphere. And here it is where the magic begins! Just after sunrise and just before sunset the Sun is levelled at the horizon, so that its light has to travel through a much thicker layer of atmosphere compared to what it does in broad daytime. In doing so the light is scattered into the atmosphere, but this affects mainly its blue component, while the yellow, orange and red ones travel more easily. The result is that beautiful golden light all outdoor photographers always look for.
Now that we know why we get this particular light, let’s see which characteristics it has. Golden light is:
Soft (or diffuse). Travelling through a thick layer of atmosphere, which acts as a giant diffuser, the intensity of sunlight is reduced. The result is a softer, diffuse light, which produces a more evenly exposed photo, expanding naturally its dynamic range, reducing overly exposed bright areas and harsh shadows.
Warm. Scattering (blocking) mainly the blue component, the resulting light is warmer, throwing a golden glow on what it illuminates.
Directional. When the sun is low on the horizon, shadows become not only softer but also longer, adding to the sense of depth of the image, and highlighting textures.
You see? Plenty of reasons for waking up early in the morning or hanging out until sunset with your camera. Don’t forget your tripod, though. Being the light much less intense than in full daylight means that your shutter speed is going to be longer, and a solid support is necessary to avoid blurred images.
Next time we will talk about the other “half” of the magic hour: the blue hour!
No matter if you are a travel photographer or an enthusiast tourist, nobody is happy to go back home with just a bunch of dull pictures. It’s quite frustrating to look at those images and realise they don’t reflect the emotion and the atmosphere you experienced in that particular moment. Still, this is a very common circumstance.
To avoid this frustration and get the best out of your travel experiences the most important tip probably is: plan it!
Plan it in advance as much as possible. Gather the information about what you are going to visit, check the opening hours, how to get there, what’s in the surrounding, read other people reviews check the forecast, sunrise and sunset times, look at other photographers’ pictures and don’t forget to take advantage of services like Google maps and street view.
Well, if you’ve done all of that, your chances to be satisfied with your pictures, and overall experience, are starting to increase. Which is great!
A bit of experience, good technical skills, and a trained “photographic eye” will do the rest of the trick. Don’t be scared, it’s way easier than what it seems. The most important thing to do is to start off on the right foot: Plan it!
And if you don’t know from where to start with your plan, there are plenty of valuable resources around the web. One among all: Jimmy McIntyre. He is a terrific travel photographer, a brilliant communicator, and is blog is a precious source of inspiration for any photo enthusiast on this planet. Here you can find 32 of his tips on how to plan for landscape photography.
Many of them have been an essential part of my workflow for long, like the ones I considered while planning for this shot, which I am going to share.
I use an app called the photographer ephemeris, a map-centric sun and moon calculator. Thanks to it I knew that in summertime the sun sets just in front of the Giant’s Causeway, so I planned my trip here accordingly. This also leads us to our the next tip:
A strong light source can add depth and contrast to the scene, attract the eye of the observer, highlight the texture of other elements present in our image while “bathing” them with light beams. Overall, it enhances the mood of our photograph. A sun setting or rising, or the bright sky just after a sunset, or before sunrise, are some invaluable natural sources of strong light which can really make your photographs “pop”.
A mistake I’ve made many times. Being so captured by a gorgeous background, maybe a sunset, and take a pictures of it, forgetting the foreground. The result is usually an image which lacks of depth, and lose much of its impact. Add strength to your images including an interesting foreground. In this case it was utterly important, since the peculiar hexagonal pattern of the basalt columns is what makes this place unique, and you definitely want to highlight it in your picture.
In the same way as light, water can strongly influence the mood of your image. Capture a choppy, rough sea with a short exposure time if you want to show the power of this element, or play with a longer exposure to “flatten” the sea’s surface, as I did here to let the rocks and the “pipe organ-like” structure of the causeway stand out more.
The golden hour may be that “perfect” moment of the day for a photographer, whit is gorgeous and warm light. But don’t underestimate what the blue hour can look like. It often carries some magical atmosphere to the scene, and can give a dramatic mood to your images even after a dull sunset. Besides, you’ll be probably one of the few photographers around by that time (if not the only one), which is gorgeous if you want to capture the wilderness and loneliness of some landscape or seascape. That’s what I’ve done here; there were dozens of people walking on these basalt columns just before sunset. Not even an hour later I was left alone, and the majesty of the scenery seemed to be magnified in its wilderness.
The histogram shows the amount of pixels of particular brightness in your photograph, ranging from black (0% brightness) to white (100% brightness). Looking at it you may have a precise idea of “what’s going on” in your picture regarding the exposure. If your histogram is “touching” the left edge, you are probably clipping the highlight (losing details in the most bright areas of your image). If it is “touching” the right edge, you’re clipping the shadows. Either case can be usually fixed adjusting the exposure settings. In my case, the histogram showed that I was clipping the highlights. Underexposing a bit I got back all the details in the sky.
Very rarely I’m satisfied with my pictures as they come out of my camera. Most of the time there is some fine-tuning to do and some details to correct in “post-production”. Personally, I think that editing an image is as much important as actually taking it and, with some practice, can also be good fun! Therefore, when I shoot, I do it thinking how I will then edit the image. In this case I had to underexpose it deliberately to get as many details in the sky as possible. The foreground would have been too dark then, but I knew Lightroom has a very powerful tool to bring out the details and fine tune the exposure selectively in the shadows, so I could take my shot, confident it would have looked as I wanted after some basic editing.
Do you have any other tips you follow when you plan for your photography? Please share it here in a comment!
Location: Giant’s Causeway, County Antrim, Northern Ireland – UK.
Coordinates: 55°14′27″N 6°30′42″W
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